Julie has worked professionally as a voice, text, and accent coach in theater and other media since 2008. She joined the David Geffen School of Drama faculty in 2022. Recent coaching credits include Wolverine: The Lost Trail for Marvel; Much Ado About Nothing, Richard III, Timon of Athens, Julius Caesar, As You Like It, The Taming of the Shrew, Othello, Love’s Labour’s Lost, The Tempest, The Winter’s Tale, Measure for Measure,Henry V, Twelfth Night, and Coriolanus for Next Chapter Podcasts/Play On; Frankenstein, A Christmas Carol, Sense and Sensibility, As You Like It, A Gentleman’s Guide to Love and Murder, A Man for All Seasons, And a Nightingale Sang, The Caretaker, and A Child’s Christmas in Wales at the Shakespeare Theatre of New Jersey; Death of a Salesman, The Cottage, Hurricane Diane, Romeo and Juliet, All My Sons, The Winter’s Tale at Hartford Stage; Spunk, falcon girls, Escaped Alone, the ripple, the wave that carried me home at Yale Repertory Theatre; A View from the Bridge at Long Wharf Theatre; Dial M for Murder at Drury Lane Theatre; Belfast Girls at Irish Repertory Theatre; and The Woman in Black at Weston Theater Company. Additionally, she has coached projects for McCarter Theatre Center, Clubbed Thumb, Bucks County Playhouse, The Repertory Theatre of St. Louis, Colorado Shakespeare Festival, Cleveland Play House, BEDLAM, Woolly Mammoth Theatre Company, American Repertory Theater, Tectonic Theater Project, Westport Country Playhouse, American Players Theatre, Second Stage (NYC), and others.
She has taught at the University of Connecticut, Penn State, Rutgers, A.R.T., Harvard University, the Moscow Art Theatre School, Webster University, the National Theater Institute, the Shakespeare Academy @ Stratford, the Shakespeare Theatre of New Jersey, Terry Knickerbocker Studio, the Shakespeare Theatre of NJ, and University of the Arts Helsinki. She is an Associate Teacher of Fitzmaurice Voicework® and a Master Teacher of Knight-Thompson Speechwork. She is co-author of the textbook Experiencing Speech: A Skills-Based, Panlingual Approach to Actor Training. MFA, ART Institute at Harvard University. BA, Theater Studies at Duke University.